Date of Publication :11th November 2024

Abstract: Both mathematicians and artists were curious about the guiding principles of this artistic method, and they started looking into the underlying logic of these rules. Artists were particularly interested in lines of sight and parallel lines that met and crossed at a vanishing point, and the mathematicians tried to find a system that would capture these ideas. As a result of this shared interest between artists and mathematicians, the Desargues theorem is just one of several early projective geometry theorems that addr ess perspective. This study aimed to determine the projective geometry in contemporary arts through cut-one-plant two hundred paintings of an Ilonggo artist. Using the theoretical and document analysis, interviews, synopsis, and a critique of the work were made based on the photographs of the artwork. This paper outlines the connection of Renaissance art to contemporary art and discusses its mathematical implications and alignment of Cut-one given Desargues’ geometry.

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